AD-Gifted
South Pacific is bringing the heat to Manchester in this refreshed Rodgers & Hammerstein musical.
It’s a show l I knew very little about, other than a few famous songs, so I went in with no expectation. And I was pleasantly surprised at how charmed I was by the whole production.
Don’t forget to read my review of Sister Act and Anything Goes
What is it about?
Set on a South Pacific Island we see a series of international romances navigated against the backdrop of World War Two. American nurse, Nellie, ‘falls in love with a wonderful guy’ called Emile, a French plantation owner with a vague past. And US Marine Lieutenant, Joseph, and Tonkinese girl, Liat, also make a strong connection. But conflicts in their own relationships as well as the ongoing battle between countries mean they might not all enjoy a happy ending.
Be prepared for a very long first act and a slower paced show. Not sluggish by any means. Just a different style of production that is, after all, inspired by the classic 1949 musical that was turned into a popular movie. In fact, this live version feels incredibly filmic and the acting is superb.
Bringing the heat
The tropical location is wonderfully created with warm lighting that basks the stage. Thankfully, even with an unbearable heat wave outside, we were able to enjoy the air con and simply imagine a hot day.
Natural materials such as bamboo recreate military offices and the infamous shower blocks from ‘I’m gonna wash that man right outa my hair’. The corrugated metal panelling, that also inspires the sunset projection, ties this Island location all together. With of course, a customary grass skirt or two.
And the real showstopper is the rotating stage. This feature adds movement to busy scenes, creativity to slower numbers and a real sense of urgency in the dramatic moments. Such an innovative detail that transforms South Pacific.
Every single cast member makes this show a success
The company in ‘There is nothin like a Dame’ particularly inject energy and a playfulness that is addictive to watch. This goes for the shower blocks scene too, as the girls are excitable and electric together, and the Charleston choreography is inspired.
Gina Beck (as Nellie Forbush) is enthusiastic, hugely likeable and assured. A real inspiration for all women out there, other than her outdated views that thankfully she reflects on. The trill in her voice is perfect for this classic score.
Julian Ovenden (as Emile de Becque) is seriously suave, has a quiet confident and a caring soul. When matched with his gentle operatic voice, he’s a dreamy leading man.
Douggie McMeekin (as Luther Billis) adds cheekiness and humour that make him a memorable character. And Joanna Ampil (as Bloody Mary) nails the attitude and street smarts just as much as when she reveals a rawness and deep love for her daughter.
South Pacific is an enchanting watch. This production is fresh and full of heart. It’s a hot ticket you don’t want to miss!
Find out more about South Pacific
Playing at Opera House in Manchester until Saturday 23 July. On tour following that.
Credit: Johan Persson