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Aladdin has flown his magic carpet into Manchester with a practically perfect pantomime. And wow is it some much needed light relief from the 2021 we’ve had!
Panto is no longer the rough around the edges affair it once was. This is a full-blown, top-quality production that would rival those you see on the West End. Big sets, big costumes and big performances make this a winner in my eyes.
Don’t forget to read my review of The Lion, The Witch and The Wardrobe – another show for all the family.
Welcome to Mancunia
With covid jokes a plenty and being set in the land of Mancunia, you’re taken to a very different version to the Disney classic you might remember. But one that is a laugh a minute.
And while the story might not be exactly the same, you’re gifted with some of the most memorable moments. The flying carpet will have you and your children gasping, the giant floating Northern Genie will have you in a fit of giggles and the terrifying snake will wow you thanks to its pure scale and drama.
The talent in this cast is incredible
Alexandra Burke confidently takes on the role as the narrator and ‘spirit of the ring’. You can’t even imagine my excitement when she sang ‘Hallelujah’ and ‘Bad Boys’. I voted for her to win the X Factor so getting to watch her sing some of her most famous songs was an early Christmas present. Her Strictly inspired dance off is incredibly entertaining and the first time you see her truly having a laugh on stage.
Ben Nickless is back and as funny as ever. This time taking on the role of Wishee Washee, Aladdin’s brother. Yeah, just go with it. And can we just crown him Panto King already? He knows how to be silly for the kids, whilst simultaneously giving that knowing nod and wink to the adults. He, without a doubt, steals every scene and I always wanted him on stage.
And it isn’t a panto without a dame and Ceri Dupree is faaabulous as Aladdin’s mum, Widow Twankey. Take a shot for every costume change and you would be absolutely hammered by the end of the show. The washing machine get up is inspired.
John McLarnon earns his hisses and boos playing Abanazar, essentially the ‘Jafar’ of the story. His deep evil voice and sinister eyebrows transform him into the perfect baddie.
Aladdin is pitched with boyish innocence by Matthew Croke and Princess Jasmine is captured kindly by Rumi Sutton. Although I would have preffered that we didn’t have to wait until the end of the panto to see her bravery and personality shine through.
This production has all you could wish for in a panto such as impersonations, pun-tastic sketches and a whole lot of audience participation. Take everyone you know to Aladdin and bask in this brilliant British tradition.
We’re already planning on seeing Aladdin again but taking more of our family to enjoy this fabulously funny festive treat.
Playing at the Opera House in Manchester until Sunday 2 January 2022.
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Image credit: Phil Tragen